Rabu, 05 Juni 2013

[F261.Ebook] Download PDF One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

Download PDF One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

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One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom



One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

Download PDF One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

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One Voice: Integrating Singing and Theatre Voice Techniques, by Joan Melton, Kenneth Tom

Speak. Sing. Laugh. Cry. Shout. Scream. Whether you're an actor or singer, your voice is called upon to do many things. But how do you keep your voice healthy and meet the demands and challenges of a career? Joan Melton and Kenneth Tom are uniquely qualified to show us how.

Melton maintains that the training of singers and actors should be similar. Her groundbreaking book outlines a course of study that effectively integrates singing and theatre voice techniques throughout the training process. Kenneth Tom contributes a chapter on vocal anatomy, offering clear and accessible material on how the voice works, along with practical advice on its care. The exercise CD, included with this edition, provides guidelines and detailed instructions for many of the exercises. The physicality of Melton's approach fully engages the performer physically and vocally and addresses issues of concern to professional voice users in any field.

Table of Contents: BASIC TECHNIQUE 1. The Foundation 2. Vocal Anatomy and Physiology 3. Range, Resonance, and Articulation 4. The Voice/Movement Relationship PERFORMANCE DETAILS 5. Reading Music 6. Working with Text 7. Singing and Acting ADDITIONAL PERSPECTIVES 8. Special Considerations 9. The Whole Voice Appendix: Organizations That Focus on Care of the Professional Voice

Titles of related interest also from Waveland Press: McClosky, Your Voice at Its Best: Enhancement of the Healthy Voice, Help for the Troubled Voice, Fifth Edition (ISBN 9781577667056); McKinney, The Diagnosis and Correction of Vocal Faults: A Manual for Teachers of Singing and for Choir Directors (ISBN 9781577664031); and Stanton, Steps to Singing for Voice Classes, Third Edition (ISBN 9781577661351).

  • Sales Rank: #780798 in Books
  • Brand: Brand: Waveland Pr Inc
  • Published on: 2011-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x 8.75" w x .25" l, .53 pounds
  • Binding: Paperback
  • 141 pages
Features
  • Used Book in Good Condition

Review
"The book is wonderful! It is beautifully written and easy to follow. It was a lovely idea to have photos rather than diagrams." --Julia Moody, Western Australian Academy of Performing Arts

"This important book challenges and encourages a synthesis in singing, voice, speech, and movement pedagogy. Voice, singing, and movement trainers have agreed in theory for some time that more integrated methods of training are essential; however, in practice little progress has been made. Melton's book is the first theoretical and technical manual outlining a comprehensive method of physical, vocal, and musical integration." --Michael Lugering, author of The Expressive Actor, University of Nevada, Las Vegas

"This little gem requires all of your attention. There are very few wasted words, the explanations are clear, precise, and quite brilliant." --Gerard Reidy, London International Theatre Education Services

About the Author
Joan Melton, PhD, is a pioneer in the integration of singing and theatre voice techniques. Trained at the Central School of Drama, London, she has taught at leading drama and music centers in the US, UK, Ireland, Australia, and New Zealand. She is an Emeritus Professor, California State University, Fullerton, and a Master Teacher of Fitzmaurice Voicework(TM).

Kenneth Tom, PhD, is Associate Professor of Communicative Disorders in the Department of Speech Communication, California State University, Fullerton. He trained in Vocal Performance at the New England Conservatory, Boston, and received his doctorate in Speech and Hearing Sciences from the University of Iowa. His current teaching and research focus on performance voice, voice acoustics, and physiology.

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